My short story, "Bach's Last Composition: A Fantasy," appeared in the September, 2016 issue of Literary Arts Review Magazine (LiteraryArtsReview.com). The publishers also embedded the second movement of my Sonata for Violin and Clavier in D Minor, Op. 4. My article on Eliot's "The Love-Song of J. Alfred Prufrock" is slated for release next month.
Update, 1 January 2018: Literary Arts Review Magazine became a free publication, so I can post the following link to the story:
https://drive.google.com/open?id=0B30ATaX80nodU1RzVmp2M3pHVEk.
Tuesday, September 6, 2016
Saturday, May 21, 2016
A Book (and Story) with "Movie" Potential!
I have recently completed (and very much enjoyed!) Goddess, Kelly Gardiner's novel based on the life of Julie d'Aubigny (aka La Maupin). In her short life (1673-1707) she was a swashbuckling swordswoman, opera singer, duelist, and the lover of various prominent men and women in France. Julie ran afoul of the law on numerous occasions, most notoriously for setting fire to a convent (for which she was tried in absentia and sentenced to the stake).
If we take a quick look at the core ingredients -- a powerful woman, brawls and duels, passionate affairs (heterosexual and lesbian), triumphs on stage, etc. -- the tale surely lends itself to film. From what I have learned, the character did make her way to two cinematic ventures. However, Julie, Chevalier de Maupin (2004) distorted the historical narrative almost beyond recognition, while Madamigella di Maupin (1966) strayed even farther afield. I hope one day the actual life of this remarkable woman will catch the fancy of some director.
Of course, the cinematic rendition is one thing; the literary may be quite different. I must commend Gardiner for a wonderfully understated and extremely sensitive presentation. The narrative indeed unfolds in a manner consistent with its device: a deathbed confession to a priest. This is a beautiful novel with powerful writing, artistically strengthened by what is left unsaid. Brava!
If we take a quick look at the core ingredients -- a powerful woman, brawls and duels, passionate affairs (heterosexual and lesbian), triumphs on stage, etc. -- the tale surely lends itself to film. From what I have learned, the character did make her way to two cinematic ventures. However, Julie, Chevalier de Maupin (2004) distorted the historical narrative almost beyond recognition, while Madamigella di Maupin (1966) strayed even farther afield. I hope one day the actual life of this remarkable woman will catch the fancy of some director.
Of course, the cinematic rendition is one thing; the literary may be quite different. I must commend Gardiner for a wonderfully understated and extremely sensitive presentation. The narrative indeed unfolds in a manner consistent with its device: a deathbed confession to a priest. This is a beautiful novel with powerful writing, artistically strengthened by what is left unsaid. Brava!
Friday, March 25, 2016
J. K. Rowling Shares Galbraith's Rejection Letters
In a gesture she maintains was made "for inspiration, not revenge," the Harry Potter author uploaded a number of rejection letters garnered by The Cuckoo's Calling, a murder-mystery novel published under her pseudonym, Robert Galbraith. My earlier post (16 July 2013) offered some thoughts on that subject!
Many of Rowling's seven million-plus Twitter followers undoubtedly had a good laugh. If a few editors and publishers have egg on their faces, so much the better.
The complete BBC article can be accessed through this hyperlink: http://www.bbc.com/news/entertainment-arts-35899243?ocid=global_bbccom_email_25032016_top+news+stories.
Many of Rowling's seven million-plus Twitter followers undoubtedly had a good laugh. If a few editors and publishers have egg on their faces, so much the better.
The complete BBC article can be accessed through this hyperlink: http://www.bbc.com/news/entertainment-arts-35899243?ocid=global_bbccom_email_25032016_top+news+stories.
Friday, February 5, 2016
Article About Meredith Wild Underscores Realities of Contemporary Publishing World
Alesandra
Alter’s article, “Meredith Wild, a Self-Publisher Making an Imprint,”
appeared in The New York Times last
Saturday, 30 January. Above and beyond
the wild successes achieved by Ms. Wild, the piece presented some updates about
the state of publishing today. Here is
one of the highlights:
<< As independent authors grab a bigger slice of the e-book market, digital sales by traditional publishers fell by 11 percent in the first nine months of 2015, according to data gathered from more than 1,200 publishers by the Association of American Publishers.
Last year, a third of the 100 best-selling Kindle books were self-published titles on average each week, an Amazon representative said. Some analysts attribute the dip in publishers’ e-book revenue in part to the glut of cheap self-published books, which often sell for as little as $1. >>
<< As independent authors grab a bigger slice of the e-book market, digital sales by traditional publishers fell by 11 percent in the first nine months of 2015, according to data gathered from more than 1,200 publishers by the Association of American Publishers.
Last year, a third of the 100 best-selling Kindle books were self-published titles on average each week, an Amazon representative said. Some analysts attribute the dip in publishers’ e-book revenue in part to the glut of cheap self-published books, which often sell for as little as $1. >>
A number of Kindle Direct Publishing (KDP)
products actually sell for 99 cents, a price that seems most attractive to
“impulse buyers.” Admittedly, many of
these “bargain basement” products are of poor quality, yet at the same time a
number are quite good. I should
certainly like to think some of the titles on my author’s page deserve that
description.
Of course, most authors garner little more
than the satisfaction of seeing their books “out there.” It is easy enough to publish on Kindle, yet
very few titles actually sell. Indeed,
one must acquire unique skills to market and promote digital titles
successfully (a trick I certainly haven’t learned).
The bigger issue, however, is that the New
York literary mafia remains a closed door to most writers. Without the necessary contacts and/or
“credibility” – to say nothing of the author’s “platform” (a term loosely used
to encompass websites, blogs, Facebook, LinkedIn, Pinterest, and Twitter
accounts) – most writers will never get any consideration, while a number of
mediocrities are awarded huge contracts.
The article can be viewed at: http://www.nytimes.com/2016/01/31/business/media/meredith-wild-a-self-publisher-making-an-imprint.html?partner=IFTTT.
Friday, January 1, 2016
Link to "Bach's Last Composition: A Fantasy"
My short story, loosely based on the death of J. S. Bach before he could complete The Art of Fugue, is still available as a free download on Lulu.com (cf., blog post of 6 September 2015, below). However, it is also accessible here:
https://drive.google.com/file/d/0B30ATaX80nodU1RzVmp2M3pHVEk/view?usp=sharing.
I hope readers enjoy it!
https://drive.google.com/file/d/0B30ATaX80nodU1RzVmp2M3pHVEk/view?usp=sharing.
I hope readers enjoy it!
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