Rachel Donadio recently wrote an article
about Elena Ferrante (cf. The New York
Review of Books 1 December 2014).
This piece is of interest because it ran contrary to so much of the
prevailing trend in publishing.
These days writers are often encouraged to
spend more time marketing themselves than they spend writing. Many editors are more concerned with a
prospective author’s “platform” (i.e., Internet presence – Facebook, LinkedIn,
Twitter, etc.) and marketing plan than whether he/she can actually write. Without “followers,” one is effectively
assumed dead-on-arrival.
By contrast, “Ferrante is a pseudonym, has no
public presence, has never been seen, gives her a strange place in Italy, a
country obsessed with image, where if you aren’t on television, you barely
exist.” Wow!
The
feature is available at: http://www.nybooks.com/articles/archives/2014/dec/18/italys-great-mysterious-storyteller/.
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